Edward Komberg

Chiropractor & Business Entrepreneur

Ergonomics for LA Creatives: Editors, Designers, Musicians, and Set Teams

Creative work in Los Angeles spans marathon edit sessions, on-set hauling, and hours with instruments. Your body doesn’t care about job titles; it cares about load, duration, and variety. This guide offers role-specific tweaks so your shoulders, back, and wrists make it to the final cut and the encore.

Editors & Designers

  • Monitor top third at eye level; colorists using dual screens—match heights.
  • Wrist neutral on tablets; short stylus breaks with fist opens/closes x 10.
  • Micro-loop: every 25 minutes—stand, chin tucks x 6, thoracic extensions x 6.

Musicians

  • Guitar/bass: alternate seated/strap heights; posterior shoulder work (band ER, rows).
  • Keys: bench height so elbows ~90°; avoid elevated shoulders.
  • Drummers: ankle and hip mobility + core control to offload the back.

Set & Stage Crews

  • Team lifts when awkward; hinge, not round; use belts as reminders—not crutches.
  • Rotation prep: standing chops and lifts (light) before long rigging days.
  • Footwear: stable, not squishy; tired ankles punish knees and backs.

From Dr. Edward Komberg: “Creative work is athletic. Train the patterns you repeat, and schedule mobility like any other deliverable.”

Need a role-specific plan for your studio or set? Book with Dr. Edward Komberg—we’ll match your craft with the right habits and drills.


About the Author: 37 years helping LA’s creative community keep making without breaking.

About the Author

Dr. Edward Komberg began in La Palma, CA and built three Southern California clinics over 37 years. He’s treated more than 500,000 patient visits, staying focused on calm, effective, patient-first care.